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When I walk into a class of students, ready to teach a technique class, I’ve decided the best thing to do is learn their names first. It immediately gives the relationship a personal feel. It also makes the student more comfortable by not being just another dancer in the room, but somebody unique. I can then address them in class, personally. The name learning takes focus and repetition and I have to go at it well before class starts. Also, it’s methodical.

Then, I usually just start by diving into the first combination. I find that the philosophies I hold come through the teaching, and since dance is such an experiential experience, sometimes it’s best to introduce myself through the class material. As well, it allows me to get to know the dancers, versus watching them listen to me talk.

photo by Karen Snyder

Community class vs. Studio class.

As far as the community class is concerned I would start out simple and not overly ambitions. You never know what level of student you are going to get. At least in the studio setting you usually know what level you are walking into and can gear it a little more towards that. For the community class you could have younger dancers, older dancers, experienced professionals, eager beginners, and anything in between. Simple combinations will serve both beginners and advanced students… the beginners will be challenged with sequence and basic ideas, while the advanced dancers can delve into more advanced concepts of how to do the combinations. It’s up to the teacher to present it in a way to serve both populations. Repetition is also good for community class. Do things over and over again without having to move on too quickly. In this setting it’s better to give a sense of satisfaction rather than frustration. I also wouldn’t do a lot of whacking movement and slamming to the floor, at least at first, this may alienate some people who may have injuries they may be dealing with. Once there are a few classes under the belt, you can start to get a sense of who is coming and start to gear things a little more specifically. You want the dancers to learn and to have fun so they want to come back. Community class is optional and to cultivate a following is about insightful combinations, healthy dance choices, preparation, and fun. Remember, keep it simple and repeat combinations.